Tag Archives: pop music

35 Years – The Definitive Shoes Collection 1977-2012

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Shoes and Real Gone Music announce the upcoming release of “35 Years: The Definitive Shoes Collection 1977-2012”, a 21-song chronicle of both indie and major label recordings by Shoes.

http://www.realgonemusic.com/news/2012/8/14/shoes.html

Shoes – The Joke’s On You

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A new video is up from Shoes’ new album Ignition. The Joke’s On You.

The Joke’s On You
Lyrics by Shoes

Composed by Jeff Murphy

——-

You might find another noble cause
To hang upon your wall
And fill your hallowed halls

But in time your words will seal your fate
So I’m picking up the pace
And laughing in your face

‘Cause the joke’s on you
That’s the way it goes
When everybody knows
That the joke’s on you

I don’t need to say
That it’s funny how things change
Your point of view
When the joke’s on you

Now the joke’s on you
Strange to think that how
It’s not so funny now
That the joke’s on you

I was your amusement for a while
Now you can’t crack a smile
I’m laughing all the while

You can’t see the forest for your needs
Despite your desperate pleas
It just occurred to me

Now the joke’s on you
It’s right before your eyes
It comes as no surprise
That the joke’s on you

Now you know
That it’s funny how love goes
From hot to cold

When the joke’s on you
That’s the way it goes
When everybody knows
That the joke’s on you

Now the joke’s on you
The joke’s on you

——-

Jeff: lead/backing vocals, electric 12-string guitars, acoustic guitar
Gary: backing vocals, electric guitars (includes lead)
John: backing vocals, bass

Follow Shoes on Twitter – @ShoesWire
Like Shoes on Facebook – Shoes (Official)

An amusing review of Shoes Ignition

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Just saw this posted as a link on Facebook. Most interesting start to a review of Ignition that I’ve read yet.

“I was never much of a fan of Shoes. For me, listening to Murphy and the boys was the equivalent of going out to eat at the Olive Garden. It’s okay for a change, but I always leave craving something a bit more substantive.

If the old Shoes was a trip to the Olive Garden, their new release, “Ignition”, is an invitation to dine at the Vatican. With the Pope. And he lets you wear the funny hat.”

Thank you for the very early morning laugh, Richard Rossi.

For the full review – http://orangemen44.com/2012/a-review-of-shoes-ignition-or-start-me-ups-evil-twin/

Buy Ignition.

Shoes – Hot Mess Video

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Another video is up from the new Shoes album Ignition. It’s for Hot Mess. Do you like cats? You’ll like this video

Hot Mess
Lyrics by Shoes

Composed by Murphy/Klebe/Murphy

——-

She’s got good motor skills
When she’s stuffed to the gills
So honey say what you will

She’s no stranger to pain
She sleeps in the rain
‘Cause she’s got nothin’ to gain

Ooh she’s a hot mess
Been tryin’ to pin her down
Such a hot mess
She’s bound to be makin’ rounds

She’s a hot mess

She does her personal best
With stains on her dress
She’s a reliable wreck

She’s been payin’ her dues
With her skanky tattoos
And her sensible shoes

CHORUS

She lets her juices flow
When she’s layin’ low
Cuz that’s how she rolls

She’s got a lopsided grin
When she don’t know where she’s been
She’s my possible kin

CHORUS

She comes across as a man
With her spray-on tan
But she don’t give a damn

She wears her hair in a bun
When she gets the job done
She takes no shit from no one

CHORUS

She’s a hot mess
Couldn’t care less
Makes a hot mess

——-

John: lead vocal, bass, handclaps
Gary: electric guitars
Jeff: vocals, electric and acoustic guitars (includes lead), handclaps

Follow Shoes on Twitter – @ShoesWire
Like Shoes on Facebook – Shoes (Official)

Spam spam spam spam

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This is a tiny blog in the world of blogs. Truly filled with the random thoughts of me. I can mention something as a one off or I can hyperfocus on something that I love. For instance, did y’all know that Shoes has a new album out?

What amazes me is when I look at my stats for the blog and I see all the spam comments. Like, how do they find me? And who the hell taught them English? These are some examples of what I found this morning.

Excellent post. I used to be checking continuously this blog and I’m impressed! Extremely useful information specifically the last phase. I take care of such info much. I was looking for this certain info for a very lengthy time. Thank you and good luck.

My brother suggested I would possibly like this blog. He was once totally right. This publish actually made my day. You can not believe just how much time I had spent for this info! Thank you!

I take pleasure in, cause I discovered just what I used to be taking a look for. You’ve ended my four day long hunt! God Bless you man. Have a great day. Bye

That last one? It was a comment on my rent a cat post, where I compared my dog to a TV demon. If they were really hunting 4 days for info on a demon dog, they obviously don’t know how to use Google.

I know they’re spammers but I really don’t get the point. Are there that many clueless people in the world who go “Oh, that is so legitimate. Let me click that link and go to that obviously respectful website…” I’m sure they must believe in Nigerian Princes and long lost dead relatives who want to leave them their fortunes, too.

I leave you with the inimitable Monty Python.

 

Shoes – Head vs Heart

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Another video is up from the new Shoes album Ignition. It’s the opening track – Head vs Heart.

Head vs Heart
Lyrics by Shoes

Composed by Gary Klebe

——-

Time is chasin’ me down
Somewhere I got turned around
You can try as you will
You’ll be the death of me still
‘Til the end, I won’t breathe easy again

Trouble from the start
Don’t go where you wanna go
Head vs. heart
Go where you wanna go

Long gone, never look back
So fast, no time to react
Some things will just never change
Logic is all down the drain
We pretend over and over again

Tearin’ me apart
Don’t go where you wanna go
Head vs. heart
Go where you wanna go

Time is wastin’ away
Vain wait, the name of the game
Everything I thought is true
Lies are the essence of you
In the end, I won’t breathe easy again

Trouble from the start
Don’t go where you wanna go
Head vs. heart
Go where you wanna go

Head vs. heart

——-

Gary: lead/backing vocals, electric guitars
Jeff: backing vocals, electric guitars (includes lead)
John: backing vocals, bass

Follow Shoes on Twitter – @ShoesWire
Like Shoes on Facebook – Shoes (Official)

Shoes – In On You

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The first official video is up from the new Shoes album Ignition. It’s for In On You.

It was created by Linda Lester with help from John Murphy. Love the theme. I literally squeed the first time I saw it. And it’s stop motion. Oh Em Gee. 1129 frames with Photoshop.

In On You
Lyrics by Shoes

Composed by John Murphy

——-

You said you hadn’t heard this talk before
But I thought you knew
You said you couldn’t take it anymore
But I wasn’t through

The friends and all the men you used to know
Have moved on years ago
It happens when you least expect it
To close in on you

You didn’t think you had it left inside
What more could you do
No one really cared if you had lied
You know that now too

The trouble is the worst ain’t come down yet
There’s what you want then there’s what you get
It happens when you least expect it
To close in on you

You wait and see
Try to put your trust in me and leave it be

We tend to overlook the mounting cost
Of all that we wagered and what we’ve lost
It happens when you least expect it
To close in on you

Still hopin’ for the end to your sadness
It’s long overdue
So tell me what’s the meaning of all this
When things come unglued

The trouble is the worst ain’t come down yet
There’s what you want then there’s what you get
It takes you from behind
Don’t let it close in on you

You’ll finally see when you put your trust in me
But you made it harder than it had to be

——-

John: lead/backing vocals, bass, baritone and acoustic guitars, keyboard
Gary: backing vocals, electric guitars (includes lead)
Jeff: backing vocals, electric and acoustic guitars

Follow Shoes on Twitter – @ShoesWire
Like Shoes on Facebook – Shoes (Official)

Shoes – Say It Like You Mean It

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A video is up from the new Shoes album Ignition. Say it Like You Mean It.

It features a slideshow of pictures from the Millenium Park, Chicago show on August 10, 2007. All pictures are from Steven and Lisa Gardner.

SAY IT LIKE YOU MEAN IT
(Murphy/Klebe/Murphy)

Rollin’ off your tongue
Passin’ through your lips
Words are only words
Without some feeling they can’t be heard

You gotta say it like you mean it
‘Cause I can tell by the tone in your voice
If you want me to believe it
You gotta say it like you mean it

Racin’ through your head
Carefully you choose
The words sent to my ears
They’re so empty and insincere

Wanna hear, loud and clear
Wanna hear, loud and clear

You gotta say it like you mean it
‘Cause I can tell by the tone in your voice
If you want me to believe it
You gotta say it like you mean it

Say it like you mean it
In a way you have before
A lot has come between us
Speak up to save us or the rest’ll take us down

Rollin’ off your tongue
Passin’ through your lips
Words are only words
Without some feeling they can’t be heard

Wanna hear, loud and clear

You gotta say it like you mean it
‘Cause I can tell by the tone in your voice
If you want me to believe it
You gotta say it like you mean it

You gotta say it like you mean it
Words are only words

You gotta say it like you mean it
Words are only words

——-

Gary: lead/backing vocals, electric guitars, handclaps
Jeff: lead/backing vocals, acoustic and electric guitars, piano, handclaps
John: lead/backing vocals, bass, piano, handclaps

Follow Shoes on Twitter – @ShoesWire
Like Shoes on Facebook – Shoes (Official)

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A great interview with Shoes about the new album, Ignition. Thanks for good questions Ryan Meehan.

First Order Historians

by Ryan Meehan

Shoes, the trailblazing guitar-pop combo from tiny Zion, Illinois — who in the 1970s prefigured the home-recording DIY boom of the ’90s and beyond — will release their first album of new material since 1994 on August 14, 2012.  Ignition switches on with 15 fresh, vital tracks from Shoes’ three founding members and songwriters: bassist-vocalist John Murphy, guitarist-vocalist Jeff Murphy, and guitarist-vocalist Gary Klebe, plus longtime stage drummer John Richardson. Self-produced and released on the band’s own Black Vinyl Records, Ignition not only carries on Shoes’ cult-heroic tradition of edibly tuneful, harmony-honeycombed guitar pop; it ventures intriguingly beyond those comfortable (though undeniably rewarding) borders as well. Altogether the work of seasoned, mature musicians whose singular trajectory as 100-percent self-taught, self-created recording artists has been outside-the-box since it began, Ignition showcases Shoes at their technical and artistic peak.  We are extremely honored to have Jeff Murphy, Gary Klebe…

View original post 1,743 more words

Shoes in the Chicago Tribune

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Happened upon a mention of an article on Shoes in the Chicago Tribune. Was delighted when I discovered there was a short video with it. 7/10/12.

http://www.chicagotribune.com/entertainment/music/ct-ent-0711-shoes-band-20120710,0,1060019.column

In the event that the paper makes you jump through hoops like it made me jump through hoops, here’s a link to the video.

Here’s the article as written by Mark Caro:

KENOSHA — Having shuttered their Zion-based studio and record label before the failing businesses destroyed their friendship, the three guys from the power-pop band Shoes know firsthand how brutal the music industry has become.

The conventional wisdom says you can’t make money on CDs anymore because who still buys physical product? It also says you can’t make money touring if you can’t line up more than a few dates, preferably with sponsorship support.

Common sense says if you’ve been around since the ’70s and haven’t released a studio album in 18 years, you’ve probably lost a step or three.

So what were Gary Klebe and brothers Jeff and John Murphy, all now in their late 50s, thinking when they decided to record “Ignition,” the first Shoes album since 1994’s “Propeller”?

“There’s no one to make this record for other than ourselves,” Klebe said in the low-ceilinged basement studio of his house in Kenosha. “And it hasn’t been that way for a long time.”

“The record companies are gone, and airplay is gone, and MTV is gone,” Jeff Murphy said, “so you just make the music that you like.”

July 3 was a momentous day because a box arrived at Klebe’s home containing the first shipment of the “Ignition” CDs, released that day through the band’s website, shoeswire.com, with an official release via outside retailers scheduled for Aug. 14.

“The main reason you do this is for that moment when you can hold it in your hands,” Klebe said, pulling out the first discs featuring the eye-grabbing cover, which Klebe and John Murphy designed, showing a Photoshopped John Murphy blasting into the sky with an ancient-looking rocket on his back.

“Traditionally I think Shoes fans have been the kind that want to hold the hard copy,” Jeff Murphy said (though the website also is selling downloads of the album). “They want to own the packaging, because they’re like us. We are record fans, record collectors.”

Shoes are old school in more ways than one. Their music now spans five decades (albeit skipping the first 10 years of the 2000s); the indie debut “Black Vinyl Records” was released in 1977, with “Present Tense,” the first of three albums for Elektra, following in 1979 and then four studio albums in the ’80s and “Propeller” in the ’90s.

Yet for all of the cultural and industry changes that the band has endured, time has kind of stood still for these guys. They started out worshipping at the altar of ’60s melodic rock, particularly The Beatles, and through their self-taught playing hit upon a classic power-pop formula of crunching guitars, sweet harmonies, big choruses/refrains and tales of love and heartbreak. All three key members, with their almost-matching draped locks and doe eyes, take turns in the songwriting and singing. (Gary and Jeff are the guitarists, John plays bass and some guitar, and there’s been a string of drummers.)

They’re unassuming guys, never boasting the swagger and showmanship of Rockford pop-rockers Cheap Trick, but they also never experienced that band’s ups and downs. Which is to say Shoes lacked a true crossover hit beyond the occasional FM play of “Tomorrow Night” or “Too Late” — or the frequent airing of their videos in the early days of MTV — but they sure came up with a lot of hooks.

The current shock for the band’s devoted if specialized fan base may be twofold: one, that Shoes made another album after so many years, and, two, that it not only doesn’t represent a “diminishing return” (to quote a John Murphy “Ignition” song) but actually feels more vital than anything since the Elektra days. It’s a reaffirmation of what they and their fans love about this sort of punchy, tuneful music.

“Boy, they still sound 25, man,” said Mary Donnelly, who has written a 500-page book, “Boys Don’t Lie: A History of Shoes,” for which she’s eyeing a late-summer release. “When I first heard it, I was like, ‘Holy crap.'” The Upstate New York-based author/blogger said she was “stunned” when she heard that Shoes were working on a new album. “I’m still convinced that this is them saying to me, ‘Don’t write about us in the past tense.'”

She’s not that far off.

The band was filled with optimism in the early ’90s. Short Order Recorder, with Jeff Murphy usually at the helm, had a steady stream of studio clients, including such upstart Chicago-area bands as Material Issue and Local H. The label, Black Vinyl Records, was releasing not only Shoes albums but works by simpatico guitar-pop bands such as the Spongetones.

Then everything collapsed: The studio business was decimated by the shift to digital technology and the rise of bands recording themselves, independent distributors went belly up and CD sales plummeted. Shoes members say they saw the studio’s and label’s survival as symbolic; as long as those two entities existed, so did the band. But they weren’t making music; they were worrying about finances, a topic that can put a strain on any relationship.

“They turned on each other, and there was some bitterness there for a while,” Donnelly said.

At any rate, they couldn’t see recording a follow-up to “Propeller” under such conditions. “It was like we didn’t want to see it thrown to the dogs,” Jeff Murphy said.

Finally they decided to let go and sell the studio, which happened in 2004. The weight removed from their shoulders, Klebe and the Murphys concentrated on their day jobs: Klebe and John Murphy work at a Zion catalog company, and Jeff Murphy does tech repairs in Kenosha.

All three have lived in Kenosha since the 1990s, but when Klebe moved into a new house in 2009, a historic 1948 home that sits across the street from Lake Michigan, he decided to build a recording studio in his basement. He poured thousands of dollars into a mixture of analog and digital equipment so music could be recorded with old-fashioned warmth and then mixed on state-of-the-art computer equipment.

Did he do this to record a Shoes album?

“Yes,” Klebe said. “Yes.”

“He surprised us,” John Murphy said. “We didn’t know. He didn’t tell us.”

In true “Field of Dreams” fashion, he built it, and they came.

“To give credit where credit is due, Mary writing this book got us thinking about this more,” Klebe said. “When you’re forced to talk about your past life in this business, you start to get a little bit teary-eyed about the good times and (wonder) why aren’t we doing this?”

Said Jeff Murphy, who pronounced Klebe’s studio superior to Short Order Recorder: “As soon as we started recording, it was like, God, that was fun,” he said. “There is nothing like creating a song from nothing, from zero.”

Despite the long lag between albums, the band members hadn’t been stockpiling material; they wrote to order. They began recording in the fall of 2010 and had John Richardson, the crafty powerhouse drummer of the band’s 1990s and 2000s live shows, come down from his Menominee, Wis., home to lay down the first drum tracks onNew Year’s Day2011.

The studio is a small, windowless room, with no parallel walls (all the better for recording drums), adjacent to the control room. The smell of a nearby cat box and scratch marks on the wall treatments add to the homey vibe, and occasionally during recording the black, mellow Psycho and gray, more temperamental Buzz would check out the action.

(This day’s big drama came when Psycho escaped through a partially open front door, prompting bandmates, reporter and photographer to scour the neighborhood calling, “Psycho! Psycho!” before he was located beneath a neighbor’s porch. Upon his return, a ticked-off Buzz growled and hissed at him.)

There are subtle differences among the singer-songwriters’ voices and approaches on “Ignition,” yet the songs are all of a piece, unmistakably Shoes.

“We’re really more each other’s influences than anything else,” Klebe said, noting that they still don’t know music theory or even necessarily what chords they’re playing. “It’s really kind of a moat around us.”

As they chatted in the control room with unplugged guitars on their laps, they were at a loss to play any of their new songs.

“We never learned them,” Klebe said.

“We would have had to have weeks of rehearsal,” John Murphy said with a laugh, “for an impromptu jam.”

Asked to attempt “Tomorrow Night” instead, the three picked at their guitars until they found the verse chords; it all fell apart on the bridge, but they were able to rebound for the subsequent verses, Jeff Murphy singing, “What will you say?” and John Murphy and Klebe responding in tight harmony “Tomorrow night,” before they nailed a clean ending.

“We haven’t played together for over three years, a single song together, since Japan,” Klebe said with a laugh afterward, referring to a few shows the band performed overseas in 2009. Before that they played an afternoon concert in Millennium Park in August 2007.

Yet even with their first album in 18 years, they have no plans to perform live now.

“We all have to deal with our schedules,” Jeff Murphy said. “It has to be something that we want to do. We’re not going to go out just because we’re supposed to.”

“Playing live is a losing proposition,” Klebe said. “If you leave Chicago, it’ll cost us money to do it.”

What about Chicago, though?

“The problem is it’s hard to do just one show,” Klebe said. “You need more than one show.” There’s also an underlying fear for a band that has been inactive for so long: “We’re afraid no one would come,” Klebe admitted.

Yet with strong initial response and advance orders for “Ignition,” the band members remain hopeful, even as they realize the rule book was long ago deleted.

“We don’t know what we’re doing,” Klebe said. “We know as much as we did around ‘Black Vinyl Shoes.'”

At least they know this: Accomplished power pop never dies, and Shoes are present-tense again.

mcaro@tribune.com

Twitter @MarkCaro

Copyright © 2012, Chicago Tribune